El jazz: padre y madre del hip hop

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2021

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Cuando inicié mi carrera tenía un objetivo muy claro: terminarla con un proyecto que me permitiera pensar en un futuro profesional. Ahora que estoy llegando al final, veo ese objetivo cumplido casi en su totalidad, es por esto que quiero apropiar a mi lenguaje compositivo nuevas perspectivas armónicas, rítmicas y socioculturales, que me brinden más control de la armonía en el estilo hiphop. El objetivo de este proyecto es crear tres composiciones inspiradas en el estudio armónico extraído de obras hechas o arregladas por Robert Glasper (pianista jazz) y el estudio rítmico proveniente de J Dilla (productor hiphop). La transcripción armónica y análisis rítmico de obras hechas por ambos referentes se llevarán al loop, y se analizará el comportamiento del bajo eléctrico como instrumento armónico-percutivo, impulsando las ideas compositivas que finalizarán el producto. Dichas obras tendrán como componente adicional la improvisación, haciendo homenaje a los dos géneros y al lenguaje que en ella se manifiesta. El producto es un concierto donde Abril, Yauya y Para-cosesos son los protagonistas. Ninguna composición va a sonar igual dos veces, ya que la improvisación es parte fundamental en la construcción de los temas ejecutados por el loop. Son pocos los referentes que exploran el bajo como un instrumento armónico y percutivo, sin embargo, el aporte que le brinda a mi lenguaje compositivo abre nuevos caminos y nuevas posibilidades para la creación musical, específicamente en el hip hop.

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Abstract

When I started my career, I had a very clear objective: to finish it with a consolidated project that would allow me to think about a professional future, within the framework of Hip Hop culture. Now that I am coming to the end, I see that objective almost completely fulfilled, but the thirst for knowledge takes me a step forward, that is why I want to appropriate new harmonic, rhythmic and even sociocultural perspectives to my compositional language, which offer me a deeper control of both the hip-hop style and how to apply modern harmonies to it, as well as its context and social impact. The objective of this project is to create three compositions based on the harmonic study extracted from harmonized works or composed by Robert Glasper and the rhythmic study from J Dilla. The result of this research comes through the harmonic transcription and rhythmic analysis of works made by both referents. The songs will be taken to the loop and the behavior of the electric bass as a harmonic and percussive instrument will be analyzed, thus promoting the compositional ideas that lead to the finalization of the objective product, it is important to clarify that these works will have improvisation as an additional component, as a form of pay homage to the two genres and the language that is manifested in it. The result of this investigation is a concert where Abril, Para-cosesos and TAL are the protagonists. They are born through exploration with the loop and the bass as protagonists of the sound planes generated. It is worth noting that no composition is going to sound the same twice in a row, since improvisation is a fundamental part in the construction of objective themes. There are few references that explore the bass as a harmonic and percussive instrument, since its traditional function is to accompany the base to generate a cushion that supports the rest of the instruments, however the contribution that study gives to my compositional language harmonic performed, opens new paths for the creation of future works and opens up new technical possibilities for their learning. It also sets a precedent for hip-hop, opening a path within the academy, which allows it to be included as a way to acquire specialized harmonic knowledge.

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Hip Hop, Jazz, Loop, Bajo Eléctrico

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Hip Hop, Jazz, Loop, Electric Bass

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